Apni Kahani
A six-part animation drama series, built on 90 days of ethnographic co-creation with Pakistan’s Khawaja Sira community — designed not to lecture, but to open a conversation that had never been possible before.
Human-Centred Design & Creative Lead
White Rice led the full design and production cycle — from 90 days of immersive ethnographic research and co-creation with the Khawaja Sira community, through to scripting, illustration, animation production, voiceover casting, and peer educator facilitation design. Every element of the series was built with the community, not for them.
Key Outcomes
Prevalence.
Deep
Silence.
The Challenge
Pakistan's Khawaja Sira community lives at the intersection of multiple vulnerabilities — social marginalisation, economic precarity, and a healthcare system that has historically failed to serve them with dignity or cultural competence. HIV prevention programming aimed at this community had repeatedly failed — not because the information was wrong, but because the approach was fundamentally broken.
Existing materials were generic, clinical, and created entirely without community input. They used neither the community's own language — Farsi — nor their cultural references, social dynamics, or the specific scenarios in which unsafe behaviours actually occurred. Myths were widespread. Screening was avoided. Peer conversations on the subject were almost nonexistent.
The challenge was not a communications problem. It was a trust problem, a representation problem, and a shame problem — all of which required a fundamentally different design approach.
Standard awareness campaigns don't work when the community has never seen themselves represented, has no reason to trust the messenger, and carries a lifetime of shame around the subject being discussed.
The Strategy
Before a single frame was drawn or a line of script written, White Rice spent three months inside the community. The research phase was not a needs assessment — it was an act of deep listening. The team used immersive human-centred design and ethnographic methods across Lahore and Karachi to understand the community not as a health target group, but as a complex social world with its own culture, language, relationships, and logic.
Apni Kahani — A Drama in Six Episodes
Built with the community.
Not for them.
Every design decision in this programme — from the storylines to the visual style to the language used — was validated, iterated, and approved by the Khawaja Sira community through multiple rounds of real-time co-creation and testing.
This was not a token consultation. It was the design methodology.
The Impact
The most important measure of this programme's success is not reach — it is what happened in the room. A six-minute episode, shown to a group of Khawaja Sira community members facilitated by a peer they trusted, consistently produced thirty to forty minutes of open, substantive conversation about a subject that had previously been unspeakable in community settings.
The episode was five minutes. The conversation that followed was forty. That is the gap this programme was designed to open.
Apni Kahani created the conditions for a conversation that had never been possible before — built on three months of deep listening, radical co-creation, and the conviction that a community's own voice is the most powerful behaviour change tool there is.
You cannot change a behaviour
you cannot yet talk about.
Apni Kahani created the conditions for a conversation that had never been possible before — built on three months of deep listening, radical co-creation, and the conviction that a community’s own voice is the most powerful behaviour change tool there is.